When the Plasmatics roared into the Coup d’Grace era, subtlety died a fiery, glorious death. Chainsaws, smashed TVs, blown-up cars, and Wendy O. Williams—punk’s most fearless demolition artist—turned every show into a televised riot waiting to happen. Coup d’Grace was their final blast: heavier, meaner, tighter, and still completely unhinged.
